What does the sound of a 1943 German submarine have to do with the sound of a recording of Stravinsky's ballet Petrouchka released in England in 1947? However unlikely, there is a connection, and the connection is the phrase "Full Frequency Range Recording," coined by the British Decca recording company in the mid 1940s. We'll hear more about that submarine and also Petrouchka and the sound of other early FFRR recordings.
Classics of the Phonograph with John Frayne
John Frayne's weekly exploration of memorable recordings from the 20th century
saturdays at 11 am on fm 90.9 and 101.1
The famous Spanish conductor Rafael Fruehbeck de Burgos passed away recently. He was known widely as a guest conductor of orchestras worldwide, and his specialties were Spanish music and the Romantic classics of the 19th century. We will hear this famous conductor in recordings of the music of Isaac Albeniz and Joaquin Rodrigo.
One of the pioneers in the recording of early music was the Deutsche Grammophon company, which established the subsidiary label, Archiv Produktion, in 1948. These silver-labeled records attempted to present early music in the most authentic form possible. The records were accompanied with the most detailed documentation I have ever seen on any recordings. The first discs, in 1948, were of Bach organ music played by Helmut Walcha, a star of the label for 30 years.
Richard Strauss was born 100 years ago. Strauss was not only one of the most famous composers of the 20th century, he was also one of the most renowned conductors. He was thus in the almost unique position to conduct on records definitive performances of his own works. We will assess the recorded legacy of Richard Strauss' musical heritage.
Summertime is the time for outdoor concerts, and also a time for the music to go light. We'll look back at such past masters of the pops concert as Arthur Fiedler with the Boston Pops Orchestra, and also check out some famous summer concert venues.
Andrea Gabrieli and his nephew Giovanni were organists and music directors at the Cathedral of St. Mark in the days of Venice's glory, from the late 16th century to the early 17th century. They wrote multi-voiced compositions for the great cathedral in Venice, and over the past decades, performers have tired to record and duplicate the original sounds of their splendid pieces in the same cathedral or other locations. We will hear some of these records.
One of the orchestras to emerge on the national scene during the early years of the CD was the Seattle Symphony Orchestra. With Gerard Schwartz as conductor, this orchestra on Delos CDs issued a number of outstanding performances, especially of American composers such as Howard Hanson. This orchestra and label showed yet once more the power of recordings in establishing a national, if not international, reputation.
Most performing musicians have a store of encores to play after the serious music of the concert or recital is over. A good encore is usually short, has immediate appeal, and most of the time a change of pace and mood from what has gone before. We'll play some of the favorite encores of famous violinists, from the days of Fritz Kreisler, to the today of Gil Shaham.
In 1979, the conductor Leonard Slatkin began a 17-year tenure as music director of the St. Louis Symphony Orchestra. During those years, Slatkin and that orchestra issued a series of recordings that raised the St. Louis ensemble to the ranks of one of the ten best orchestras in the U.S. Due to the decline in classical recording, that feat may not be duplicated in a very long time. We'll sample some of their recordings.
Two conductors who recorded much of the standard repertory in early days of the LP were Igor Markevich and Hermann Scherchen. Markevich recorded for the Deutsche Grammophon label, and Scherchen became famous recording for Westminster. Once, their records were widely available, but few of their performances have been transferred to CDs. We will look at their recording careers.