Afternoon at the Opera

Elektra

 
woman trapped in corner

metopera.org

From The Metropolitan Opera website

Shortly after conquering the opera world with his scandalous masterpiece Salome, Richard Strauss turned to Hugo von Hofmannsthal’s recent adaptation of Sophocles’s Electra for his next project. The resulting opera is an intense and still-startling work that unites the commanding impact of Greek tragedy with the unsettling insights of early-20th-century Freudian psychology. The drama unfolds in a single act of rare vocal and orchestral power.

The genius director Patrice Chéreau (From the House of the Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme—unmatched today in the heroic female roles of Strauss and Wagner—who portrays Elektra’s primal quest for vengeance for the murder of her father, Agamemnon. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass-baritone Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator Esa-Pekka Salonen conducts Strauss’s mighty take on Greek myth.