“Hungarian Origins” and Piano Music by Wagner, Liszt and others on “The Evening Concert”

Tonight at 7:00 on the Evening Concert on WILL-FM 90.9 you’ll hear a program called “Hungarian Origins” on the Chamber Music Society of Lincoln Center. At 8:00 pianist Imogen Cooper plays music of Wagner and Liszt on the “Gilmore International Keyboard Festival”.  

Sunday December 11: Chamber Music Society of Lincoln Center (CMS 16-11)

Hungarian Origins

Ligeti: Six Bagatelles for Flute, Oboe, Clarinet, Bassoon, and Horn (1953); Tara Helen O'Connor, Flute; Stephen Taylor, Oboe; Romie de Guise-Langlois, Clarinet; Peter Kolkay, Bassoon; Radovan Vlatkovic, Horn

Bartók: Quartet No. 3 for Strings, BB 93 (1927); Orion Quartet

Dohnányi: Serenade in C major for Violin, Viola, and Cello, Op. 10 (1902)

Arnaud Sussmann, Violin; Paul Neubauer, Viola; Paul Watkins, Cello

Bartók: Román népi táncok (Romanian Folk Dances) for Strings, BB 76 (1915, arr 1917)

Violinist Daniel Hope leading an ensemble of CMS artists

and

The Gilmore International Keyboard Festival (GIL 16-11)

Beethoven: Fantasia in G minor/B-flat major, Op. 77 (1809); Llŷr Williams, piano

Schumann: Papillons, Op. 2 (1829-31); Till Fellner, piano

Brahms: Klavierstücke, Op. 119, No. 3 (1893); Richard Goode, piano

Wagner, arr. Kocsis: Prelude from Tristan und Isolde (1859); Imogen Cooper, piano

Liszt: La Lugubre Gondola, S. 200/1; Imogen Cooper, piano

Wagner, arr. Liszt: Liebestod from Tristan und Isolde (1859); Imogen Cooper, piano