Clef Notes

We sat down with John and Tracy Koch, founders and directors of MIOpera, to learn more about the Bloomington–Normal opera company and its upcoming summer season. MIOpera, founded in 2011 as the Midwest Institute of Opera, is the only professional opera company in Illinois south of Chicago and north of St. Louis. The company's 12th season will feature Gilbert and Sullivan’s witty romp The Pirates of Penzance (June 23–25) and Charles Gounod’s adaptation of Romeo and Juliet (July 21–23).

Throughout the month of May, the Spurlock Museum has been home to four violins from the Violins of Hope project, a collection of over 70 stringed instruments played by Jewish musicians before and during the Holocaust. Over the last two decades, these instruments have been lovingly collected and painstakingly restored by Israeli master violinmakers Amnon and Avshalom Weinstein, a father–son duo. The Violins of Hope project was established to give voice to the victims, reclaim lost heritage, and promote messages of hope and unity. The violins in the collection have since traveled the world as part of educational initiatives, exhibitions, concerts, and workshops. The Violins of Hope exhibit at Spurlock closes on Wednesday, May 31, and the final concert will take place on Thursday, June 1 at 7:30 p.m. at the Rose Bowl Tavern. If you don’t get a chance to see and hear these priceless historical artifacts before they leave town, read on to learn more about the project and the stories behind these instruments.

There’s been a lot of buzz lately about eighteenth-century composer Joseph Bologne, aka Chevalier de Saint-Georges. In the last few years, as music organizations have sought to broaden their repertoire to historically excluded composers, Bologne’s music has seen a resurgence. And it’s no wonder. His music rivals, and even surpasses, that of his better-known contemporaries, and his biography is truly remarkable. So remarkable, in fact, that a feature film was recently made on his life. Roger Cooper, longtime host on WILL-FM, was way ahead of the Chevalier mania. In 2003, he produced an episode of his show Classically Black devoted to the composer. In light of Bologne’s recent entrance into the popular consciousness, we thought we’d revisit Roger’s show, which recounts the fascinating life story of Joseph Bologne to the soundtrack of some of his works.

Though most ensembles are wrapping up their 2022–23 seasons, there is no reason to despair. Warmer weather also means it’s summer festival season, so you can still scratch that live music itch. We've provided a rundown of the classical music festivals taking place aross the state this summer, including the Southern Illinois Music Festival (May 25–June 11), Peoria Bach Festival (June 5–9), and three outdoor music festivals in the Chicago area. Read on for more information and a list of editor-recommended concerts so you can plan your summer musical excursions.

In celebration of what would have been György Ligeti’s 100th birthday on May 28, we caught up with violist Rose Wollman to discuss her latest album, Loop: Ligeti's Inspiration and Legacy. Local audiences may already be familiar with Wollman’s work. Last February, she came to the University of Illinois campus—her alma mater—to perform the program on this album, which sheds new light on Ligeti's monumental Sonata for Viola Solo. Read on to learn more about the composer and hear from the artist herself about how this project came to be.

We chatted with Nate Widelitz, Visiting Instructor of Choral Music Education at Millikin University, to discuss the Five Cities Baroque Festival, which launches in May. The inaugural festival, directed and organized by Widelitz, will assemble some of the area’s best musicians in a two-day exploration of baroque music. On Friday, May 19, catch an organ recital by Stephen Buzard at Decatur First United Methodist Church. On Saturday, May 20, the Festival Orchestra will present a concert of chamber music at St. John’s Episcopal Church. Later that evening, the festival will close with the keynote concert of choral-orchestral music by Bach and Zelenka. Read on to learn more about the festival and to meet the director.

In honor of the Class of 2023, who will soon be striding across the stage to collect their diplomas, let’s take a look at a piece written for just such an occasion. No, not Pomp and Circumstance, but Academic Festival Overture by Johannes Brahms.

We caught up with Dr. Barrington Coleman, Associate Professor of Voice and Director of Vocal Jazz Studies at the University of Illinois, ahead of an upcoming Prairie Fire short and radio interview with jazz bassist Christian McBride. In May 2022, Dr. Coleman brought McBride to campus as part of his "New Awakenings" concert series. While on campus, McBride gave masterclasses and performed his work The Movement Revisited: A Musical Portrait of Four Icons with student and community ensembles. Read on to learn about how this collaboration came to be and about future New Awakenings performances. Also, get a sneak peak of Jazz Week at the Studio Theater, which runs April 25–May 3.

Nature has long served as inspiration for composers, from Vivaldi’s Four Seasons and Beethoven’s “Pastoral” Symphony to Olivier Messiaen’s numerous evocations of birdsong. Today, some composers are taking a new approach to this age-old muse by addressing climate change and environmental conservation in their works. Read on to learn about three contemporary choral works that are shedding musical light on these pressing issues.

The University of Illinois School of Music is hosting a four-day symposium on the music of Puerto Rico this Thursday, March 30 through Sunday, April 2. The symposium, titled Encuentro Puertorriqueño de Creación Musical (A Symposium on Puerto Rican Musical Creativity), will feature renowned scholars, performers, and educators from around the world in a series of panels, performances, and workshops. These events will explore the rich musical traditions and diverse cultural influences that have shaped Puerto Rican music, offering insight into the intersections of music, identity, and community in Puerto Rico and its diaspora. Musical styles spanning opera, reggaeton, experimental jazz, and salsa will be discussed and performed, while panels will address issues of identity, compositional practice, and the promotion of Puerto Rican music.