Bring your love of classical music into your inbox with Clef Notes. Join us each month as we check in with local music makers, share information about upcoming concerts, and expand our musical horizons together.
Classical Manager Max Ramirez takes us through some exciting changes coming to the programming schedule on Classical 90.9, including the addition of Reel Music, a new show featuring iconic Hollywood film scores, which will air Sundays at 5 p.m. starting May 4. Plus, he introduces us to Dennis Moore (pictured), the new host of Anytime Classical.
On Saturday, April 5, the Heartland Festival Orchestra will present a unique multimedia program called Immersive Sound & Light. Conductor and artistic director David Commanday and artists Doug and Eileen Leunig teamed up to create a one-of-a-kind interaction of sound, light, and space. Copland’s Appalachian Spring, Wagner’s Siegfried Idyll, Vivaldi’s Spring, and Arvo Pärt’s Fratres will be synchronized with imagery and lighting that the Leunigs have designed and curated. We chatted with the creatives behind this project to learn more about how this collaboration came to be and how visual art and music can enhance each other.
The Champaign-Urbana Symphony Orchestra will perform Igor Stravinsky’s modernist masterpiece The Rite of Spring on Saturday, April 12 at the Krannert Center for the Performing Arts. In anticipation of the concert, we thought we’d try to dispel some myths surrounding Stravinsky’s most famous work.
On Friday, April 4, internationally acclaimed concert organist Katelyn Emerson will play a special recital at Wesley United Methodist Church in Urbana. Her concert opens a year of celebratory events in honor of the E. M. Skinner organ’s 100th birthday. Read on to learn more about Emerson, her recital program, and the historic instrument.
Classical Manager Max Ramirez takes us through some exciting additions to our weekend programming on WILL Classical 90.9 FM. Get ready for a healthy dose of choral, organ, and guitar music with the addition of new shows A Joyful Noise, Pipedreams, and Classical Guitar Alive!
On Sunday, March 2, the Baroque Artists of Champaign-Urbana will present a program of music that is “All About That Brass.” The BACH choir will join forces with the Sycamore Brass Quintet in works by composers spanning the 16th to 21st centuries. TIn addition to pieces for choir and brass, the concert will also include vocal works that feature brass instruments as their subject matter. Read on as we talk with music director Sarah Riskind about the program.
In honor of Women’s History Month, we reviewed The Only Girl in the Orchestra, one of the nominees for Best Documentary Short at the 97th Academy Awards, set to take place on March 2. The film paints an intimate portrait of double bassist Orin O’Brien, the first female full-time musician hired by the New York Philharmonic in 1966. Now 87 and recently retired, O'Brien reflects on her life and career and the fulfillment she has found playing “second fiddle.”
March 3, 2025, marks the 150th anniversary of the premiere of one of the most popular operas of all time: Georges Bizet’s Carmen. While today it is in constant rotation at opera houses around the world—beloved for its memorable tunes and dramatic love story—the opera was not an immediate hit when it premiered at the Opéra-Comique in Paris. Its poor initial reception may have even exacerbated Bizet’s already frail health. He died at age 36, just three months after the premiere. Read on to learn more about the turbulent beginnings of what is now a timeless classic.
On February 14, Cedille Records will release Songs in Flight, an album of world premiere recordings of vocal music by Chicago-based composer Shawn E. Okpebholo. The titular song cycle was inspired by the Freedom on the Move database, an archive of over 30,000 advertisements for runaway enslaved individuals from early American newspapers. The album features singers Rhiannon Giddens, Will Liverman, Reginald Mobley, and Karen Slack; pianist Paul Sánchez; and saxophonist Julian Velasco. Read on for our full review.
This month, we honor the 500th birthday of perhaps the best-known composer of the Italian Renaissance, Giovanni Pierluigi da Palestrina (c. 1525–1594). Unlike most of his contemporaries and predecessors, Palestrina was unique in that his reputation continued to rise and his music continued to circulate long after his death, in large part because of the oft-repeated story that he “saved” Catholic church music. In this article, we examine the man behind the myth in search of a more comprehensive view of his musical contributions. Plus, we provide you with a specially curated Spotify playlist.
These programs are partially sponsored by a grant from the Illinois Arts Council Agency.
