Clef Notes

This summer, Illinois Classical is presenting a series of specials in place of The 21st Show’s slot on Friday evenings. Tune into 90.9FM Fridays at 6pm for specials that run the musical gamut courtesy of PRX, the Public Radio Exchange. 

The Joffrey Ballet concludes its 2025–26 season with the highly anticipated Chicago premiere of Yuri Possokhov’s Eugene Onegin, running June 4–14 at the Lyric Opera House of Chicago. Produced in collaboration with the San Francisco Ballet, Eugene Onegin features an original score by composer Ilya Demutsky. Central Illinoisians may know Demutsky’s work from his time as a George A. Miller Visiting Artist at the University of Illinois’ Center for Advanced Study. Read on for our interview with Demutsky to learn more about his score for Eugene Onegin, his approach to composing for ballet, and his time at the University of Illinois.

On May 1, beloved former WILL employee and local organist Nancy Stagg passed away. She served in various capacities at WILL-FM between 1973 and 1994, including as a broadcast assistant, announcer, producer, program coordinator, music librarian, and music director.

Now in its fourth year, the Five Cities Baroque Festival returns June 16–21, bringing artists from around the region and beyond to perform in venues across central Illinois. This season features Handel’s epic oratorio Israel in Egypt, as well as a recital by renowned harpsichordist Charlotte Mattax Moersch and the festival’s first-ever collaboration with the Baroque Artists of Champaign-Urbana. We spoke with the festival’s founding director and principal conductor, Nate Widelitz, to learn more about this year’s festival.

June 11, 2026, would have been composer Carlisle Floyd’s 100th birthday. The late composer, who died on September 30, 2021, at age 95, was a defining figure of 20th-century American opera, making his mark as both a composer and a librettist with operas that champion American themes, characters, and vernacular music. Read on to learn more about the “Father of American Opera” in his centenary year and to listen to select excerpts from his operas.

In honor of Mother’s Day, we present a playlist of music inspired by mothers and centered on themes of motherhood in its various forms, from lullabies and bedtime stories to poignant remembrances of mothers who have passed.

Millikin Opera Theatre presents Pauline Viardot’s Cinderella on May 1–3, co-produced with the School of Theatre & Dance, School of Music, and Millikin-Decatur Symphony Orchestra at the Virginia Rogers Theatre. We spoke with director Aubrey Hawkinson, Lecturer in Opera and Voice at Millikin University, to learn more about the opera and its composer.

On Saturday, May 2, the combined choruses of the University of Illinois join forces with the Champaign-Urbana Symphony Orchestra for Giuseppe Verdi’s Requiem. Performing in Foellinger Great Hall at the Krannert Center for the Performing Arts, the concert will boast over 250 singers plus a full symphony orchestra. We spoke with Stephen Alltop, music director of the CUSO, to learn more about this powerful masterwork of the choral repertoire.

Trees have long served as a source of inspiration for the great poets and writers—from Shakespeare and Goethe to James Joyce. As a result, we have a wealth of art songs about trees in their various forms and the spectrum of emotions they can evoke. In honor of Arbor Day on April 24, we present a curated playlist of some of our favorites in the hopes that it will inspire you to get out in nature or even plant a tree yourself!

“I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.’" This soundbite from Oscar-nominated actor Timothée Chalamet reverberated throughout the classical music and dance worlds this week. The statement was made during an hour-long town hall interview with Matthew McConaughey, produced by Variety and CNN. The Marty Supreme star’s statement has provoked backlash from artists and fans alike, who did not appreciate his flippant attitude and dismissiveness toward his fellow creatives. So, what was the context of this quote, and does he have a point?