Clef Notes

This fall, the University of Illinois School of Music and the Illinois chapter of the American Choral Directors Association are sponsoring an exciting mentorship program. Now in its second year, the Lift Every Voice Symposium aims to support young choral conductors from underrepresented groups. Last year, the program focused on female-identifying conductors. This year, Lift Every Voice will serve conductors of color. Six students nearing the end of their undergraduate education have been selected to come to the U of I campus to work with world-renowned conductor–teachers at no cost to them. Read on to learn more about this important initiative from Dr. Andrea Solya, Interim Director of Choral Activities at the University of Illinois.

Out this month on PBS Great Performances is Leonard Bernstein's "Kaddish" Symphony performed at the 2022 Ravinia Festival in Highland Park. Bernstein protégé Marin Alsop conducts the Chicago Symphony Orchestra and Chorus, United Voices Chicago (formerly Chicago Children's Choir), narrator Jaye Ladymore, and soprano Janai Brugger. Clef Notes Editor Katie Buzard happened to be among the chorus that night and gives us a behind-the-scenes look at what went into preparing and performing Bernstein's haunting work.

We sat down with Dave Ivy, music director for the Champaign-Urbana Theatre Company’s upcoming production of The Music Man. Meredith Willson’s six-time Tony Award-winning musical comedy has been entertaining audiences since 1957 and is a family-friendly story that all generations can enjoy. Read on to learn more about Dave Ivy and what it’s been like preparing the show.

John Frayne Classical Music Graduate Student Work Experience Fellow, Julia Escobar, writes to us about her adventures in sunny Italy, where she recently spent over a month playing flute and piccolo at two summer music programs. Read on to hear more about Julia's experience, see some pictures, and listen to her perform an arrangement of Lili Boulanger's "Soir sur la plaine" with her festival colleagues.

In honor of Independence Day, we’d like to introduce you to an American composer you probably haven’t heard of before. Edmond Dédé (1827–1901) was a violinist, composer, and conductor. Born in New Orleans, Dédé eventually saved enough money working in a cigar factory to book passage to France, where he studied with professors at the Paris Conservatoire. For various reasons, Dédé’s biography has been clouded by misinformation and half-truths. Fortunately, historian Sally McKee cleared up some of the biographical inaccuracies in her 2017 book The Exile’s Song, giving us better insight into Dédé’s life and achievements. Read on to learn more about the fascinating story behind this little-known composer whose works are just now being rediscovered.

We sat down with James Vaughen, a Champaign-Urbana local taking the trumpet world by storm. A recent graduate of the Curtis Institute of Music in Philadelphia,he is making his debut as assistant principal trumpet with the Grant Park Orchestra in Chicago this summer before heading off to a one-year principal trumpet position with the Rochester Philharmonic Orchestra in the fall. Read on to learn more about James and his career path so far.

Celebrated in July, Disability Pride Month commemorates the passing of the Americans with Disabilities Act (ADA) on July 26, 1990. The landmark legislation prohibits discrimination against people with disabilities in all areas of public life to ensure equal access to employment, education, transportation, telecommunications, public accommodations, and government services. The ADA was passed in an effort to break down barriers that prevent those with disabilities, who comprise the largest minority group in the United States, from participating fully in public life. In honor of Disability Pride Month, we’re highlighting five inspiring musicians, past and present, with disabilities who we think you should know.

July 4, 2023, marks the 400th anniversary of the death of one of England’s greatest composers, William Byrd (c. 1540–1623). Described as the "Parent of British Music," William Byrd was a composer, musician, teacher, and entrepreneur of singular stature. Though today Byrd is most remembered for his sacred choral music, he mastered and advanced every genre, producing a catalogue of nearly 600 pieces. Byrd’s Catholic faith at a time when Catholic worship was illegal adds another dimension to his music and has spurred modern fascination with his life. As a recusant Catholic serving a Protestant monarch in reformed England, Byrd was in a precarious position to say the least. So it is especially remarkable that he was unwavering in his beliefs and even published them in musical form at a time when many of his friends were facing persecution. Read on to learn more about this fascinating character and to hear a playlist of some of his greatest works.

We sat down with John and Tracy Koch, founders and directors of MIOpera, to learn more about the Bloomington–Normal opera company and its upcoming summer season. MIOpera, founded in 2011 as the Midwest Institute of Opera, is the only professional opera company in Illinois south of Chicago and north of St. Louis. The company's 12th season will feature Gilbert and Sullivan’s witty romp The Pirates of Penzance (June 23–25) and Charles Gounod’s adaptation of Romeo and Juliet (July 21–23).

Throughout the month of May, the Spurlock Museum has been home to four violins from the Violins of Hope project, a collection of over 70 stringed instruments played by Jewish musicians before and during the Holocaust. Over the last two decades, these instruments have been lovingly collected and painstakingly restored by Israeli master violinmakers Amnon and Avshalom Weinstein, a father–son duo. The Violins of Hope project was established to give voice to the victims, reclaim lost heritage, and promote messages of hope and unity. The violins in the collection have since traveled the world as part of educational initiatives, exhibitions, concerts, and workshops. The Violins of Hope exhibit at Spurlock closes on Wednesday, May 31, and the final concert will take place on Thursday, June 1 at 7:30 p.m. at the Rose Bowl Tavern. If you don’t get a chance to see and hear these priceless historical artifacts before they leave town, read on to learn more about the project and the stories behind these instruments.