Clef Notes

In honor of Women’s History Month, we’re celebrating five extraordinary female composers making valuable contributions to classical music today. While we are growing more accustomed to seeing female composers' names on concert programs, this is a relatively recent trend. In 2022, the New York Times reported that compositions by women and people of color made up 23% of pieces performed by American orchestras, up from only 5% in 2015. NPR reported that no female composers appeared on the programs of either the Philadelphia Orchestra or the Chicago Symphony Orchestra in their 2018–19 seasons. None. Thanks in part to protests for racial justice after the murder of Geroge Floyd, the #MeToo movement, and the COVID-19 pandemic, the landscape has started to shift. However, there is still work to be done. Read on to learn about composers Caroline Shaw, Anna Clyne, Jessie Montgomery, Joan Tower, and Gabriela Lena Frank and to listen to selected works.

In honor of Black History Month, we delve into Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms by Kira Thurman. The book recounts the rich history of Black classical musicians training and performing in Austro-Germany from the 1870s to the 1960s. Thurman argues that the presence of Black musicians in Germany simultaneously challenged and bolstered the concept of the universality of German art music—and, therefore, what it meant to be German—at a pivotal time when national borders were being drawn and redrawn. The eye-opening book sheds light on the lives and careers of individual artists and their place within broader historical events, offering unique insight into both American and European history and the intersection of racism, nationalism, and the arts. Read on to learn more about this fascinating book.

Classical musicians always get short shrift at the Grammys. While the pop awards ceremony is a great spectacle watched by millions ever year, the awards for classical music and other non-mainstream categories are not even televised (though this year they will be live-streamed). In anticipation of the 2024 GRAMMY Awards on February 4, read our editor's picks for the classical categories and listen to recommended selections.

We caught up with pianist Huijae (Esther) Lee, winner of the Annual 21st-Century Commission Competition and 2023 Krannert Debut Artist. On February 3, she will perform a recital at the Krannert Center for the Performing Arts featuring the winning commission by composer Jung Hyun Lee. The 21st-Century Commission is an endowed award that honors the University of Illinois' talented composers and performers and promotes their musical ideas in concert. Read on to learn more about Lee and the commissioned work, "Emile," inspired by the ancient Bell of King Seongdoeok (성덕대왕신종).

Rather than charting the life and accomplishments of famed composer and conductor Leonard Bernstein, Bradley Cooper's new film, Maestro, uses Bernstein's biography as a backdrop against which the drama of the unique love story between Bernstein and his wife, Felicia Montealegre, plays out. While some ardent classical music fans may be disappointed at the seemingly secondary role Bernstein’s music plays in the film, the decision to center Felicia sheds new light on the complicated composer. Read on for a musician's perspective on the film, now playing in select theaters and streaming on Netflix from December 20.

Chicago Opera Theater is celebrating its 50th anniversary this season. The company has grown from a grass-roots organization into a national leader in promoting opera as a vibrant, living art form, with high-quality productions of new and lesser-known operas featuring up-and-coming artists and local talent. We recently saw this work in action with the Chicago premiere of Dmitri Shostakovich's absurdist opera The Nose. Read on for a review and why you should keep this company in mind when planning your next musical excursion to the city. We also take a look at the company's next production, Huang Ruo’s Book of Mountains and Seas, coming January 26–28. 

One of the University of Illinois’ most beloved holiday traditions returns next week. December 7–13, students at Snyder Hall will be standing by to inject the phone lines with some festive cheer during the annual Dial-A-Carol event, sponsored by University Housing and Student Affairs. All you have to do is call (217) 332-1882, and a caroler will sing you a holiday song of your choice for free. Volunteers will be manning the phones 24 hours a day, so you can call whenever the mood strikes. Read on for an interview with the organizers of Dial-A-Carol to get a behind-the-scenes look at this fun annual tradition.

There is no figure in classical music quite so extremely revered and reviled as Maria Callas. The number of tributes that have sprung up across the globe in honor of the legendary soprano’s centenary this December demonstrate the lasting hold of the voice, stage presence, and life of Callas. Read on to learn more about her remarkable life and career and to hear recordings of some of her most iconic performances.

Central Illinois has a longstanding reputation as a hub for choral excellence thanks to the influx of talent from the University of Illinois School of Music. Area churches are often the beneficiaries of this conducting talent as graduate students take up music director positions during their studies. We met with one such student to learn about an exciting musical project he is leading this holiday season. A native of Waxhaw, NC, conductor Nicholas Pierle directs the music ministry at Grace Lutheran Church and is currently a first-year DMA Choral Music student at the University of Illinois. Pierle is directing the ELCA Choirs in their inaugural “Advent Cantata” performance this December. Read our interview to hear how this community-wide event came to be and to learn more about the central work on the program, Benjamin Britten's Rejoice in the Lamb.

Artificial intelligence (AI) is shaping up to be the next great technological frontier, prompting excitement and trepidation about its applications in all fields, from academia to medicine to the military. Music is no exception. In this blog, we take a look at ways in which AI has been used in classical music so far and what this means for the future of music composition and performance.